Tag Archives: Seen

Food and Art

Food and art are both sensual pleasures, easily appreciated by all and capable of endless refinement. I remember first seeing the work of Wayne Thiebaud in a retrospective as a high school student in California. The vibrant colors and symmetrical rows of pies spoke of joyous pleasures and platonic order. Apollo and Dionysus meeting at a diner for a slice of Boston Creme or Lemon Meringue.

Tonight I saw the movie Julie and Julia, and completely recommend taking the plunge (and yes, I am a devoted Netflix viewer). I’ve had an interest in cooking for years, immensely enjoyed the PBS show in 1999 featuring Julia Child and Jacques Pepin. I’ve also read the blog and later the book of The Julie/Julia Project. The movie was faithful to the spirit of all of the above.

Of course, my first introduction to the delight of cooking was at home. My mother is an amazing cook and we grew up eating delicious meals. If I was looking for an equivalent in the arts it would be the exhibition of Chardin works at the Met in 2000.

At MOMA my favorites are the Claes Oldenburg sculptures. The double hamburger and pastry case pieces are incredible, they’re practically alive they have so much energy compressed into their form and surface paint.

Now I’m hungry.

Richard Tuttle, Walking on Air

Heir to Rauschenberg and Schwitters, Richard Tuttle recycles scrap material into art. Strips of cloth are tie-dyed with muted colors and sewn together creating minimalist banners. It’s painting with Rit dye, sculpture made from hanging old sheets with grommets.

March 20 – April 25, 2009

PaceWildenstein

Fashion Photography @ ICP

Edward Steichen: In High Fashion, The Condé Nast Years, 1923–1937

Weird Beauty: Fashion Photography Now

This Is Not a Fashion Photograph: Selections from the ICP Collection

Three separate exhibits that survey the development of fashion photography. Steichen’s modernist elegance contrasts the experimental and confrontational approaches by today’s artists. Balancing the two extremes is a selection of photos that have influenced contemporary work. A three bears approach to curating, with something to please everybody.

http://www.icp.org/site/c.dnJGKJNsFqG/b.1196903/k.692/Current_Exhibitions.htm

Pierre Bonnard: The Late Interiors @ Met

Color defines Bonnard’s world. His use of drawing is minimal, mainly emphasizing the outlines of simple shapes – an armchair, a figure, or architecture. Subjects are defined as shapes of dappled hues, frozen in the shifting play of light. The paintings are dynamic, animated by brushstrokes and the depiction of patterns in fabric, wallpaper, and reflected light which emphasize the flatness of the picture plane. Or, in the words of another visitor, he got the perspective all wrong.

http://www.metmuseum.org/special/se_event.asp?OccurrenceId={42FC85FA-996B-4DC1-809A-53705844CD11}